“When tools like the stethoscope and electrocardiogram are appropriated for use beyond their intended purpose – for example in music and dance performance – how does the training of foreign users shift the framing of sound, and therefore what types of sound from the body and apparatus come to be analysed or considered? Can we qualify the difference between a doctor and a composer listening to the heart through a stethoscope?

Naccarato and MacCallum 2018: 71

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